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Egyptian funerary texts preserve mythological tales, the most significant of which are the myths of Osiris and his son Horus. The Tales of the Court of King Khufu, which is preserved in the Westcar Papyrus and was probably written in the middle of the second half of the eighteenth century BC, preserves a mixture of stories with elements of historical fiction, fantasy, and satire. Genres of romantic and fantasy literature existed in ancient Egypt. The ancient Babylonian creation epic, the Enûma Eliš, in which the god Marduk slays the goddess Tiamat, contains the theme of a cosmic battle between good and evil, which is characteristic of the modern fantasy genre. Fantasy elements occur throughout the ancient Akkadian Epic of Gilgamesh. History Įlements of the supernatural and the fantastic were a part of literature from its beginning. Horror primarily evokes fear through the protagonists' weaknesses or inability to deal with the antagonists. Despite both genres' heavy reliance on the supernatural, fantasy and horror are distinguishable from one another. Authors have to rely on the readers' suspension of disbelief, an acceptance of the unbelievable or impossible for the sake of enjoyment, in order to write effective fantasies. A science fiction narrative is unlikely, though seemingly possible through logical scientific or technological extrapolation, where fantasy narratives do not need to be scientifically possible. Fantasy is distinguished from science fiction by the plausibility of the narrative elements. Many fantasy authors use real-world folklore and mythology as inspiration and although another defining characteristic of the fantasy genre is the inclusion of supernatural elements, such as magic, this does not have to be the case.įantasy has often been compared to science fiction and horror because they are the major categories of speculative fiction. In writing fantasy the author uses worldbuilding to create characters, situations, and settings that may not be possible in reality.
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This differs from realistic fiction in that realistic fiction has to attend to the history and natural laws of reality, where fantasy does not. Magic, magic practitioners ( sorcerers, witches and so on) and magical creatures are common in many of these worlds.Īn identifying trait of fantasy is the author's use of narrative elements that do not have to rely on history or nature to be coherent. Most fantasy uses magic or other supernatural elements as a main plot element, theme, or setting.